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A practical guide for signmakers preparing to add direct-to-object printers to their workshop. Covers workspace planning, ventilation, power supply, and staff skills.
Investing in a direct-to-object printer is more than just bringing new equipment into your workshop—it’s setting up your sign shop for a new way of working. And that means planning ahead. It’s easy to get swept up in print resolution, ink types, and machine size, but none of that matters if your workspace isn’t ready. The truth is, many Belgian and Dutch signmakers underestimate what’s required for a smooth, profitable rollout of direct-to-object printing. You need space, environmental control, workflow planning, and—just as important—a clear idea of what kinds of products you want to print.
For example, if you plan to produce high-end branded merch, you’ll need a clean, dust-free workbench for finishing and packing. If you're targeting industrial clients, you'll need efficient jigs and a system for repeating jobs with precision. Planning for this before your printer arrives can save you hours of stress and missed deadlines. Whether you're setting up in a converted garage in Bruges or expanding a full-service sign shop in Eindhoven, the principles are the same. And once you’ve got the basics sorted, the rest falls into place. If you're still in the product research phase, we suggest reading our article on which direct-to-object printer fits your business before continuing—so you can match your setup to your goals.
Let’s start with the obvious: your printer needs a home. Depending on the model you choose, you might be looking at a compact desktop machine like the Roland BD-8, or a full-size flatbed unit like the VersaOBJECT CO-640-F300. Either way, you’ll need enough space not just for the machine itself, but also for materials handling, operator access, and post-processing. A good rule of thumb is to allow at least one metre of clearance on all sides of the printer—especially for mid- and high-end machines. You’ll also need a sturdy table or stand that can support the printer’s weight without vibration during operation.
Don’t forget power and ventilation. Most UV printers run on standard electrical outlets, but check your model’s requirements—some may need dedicated circuits or surge protection. Ventilation is especially important when working with primers, cleaning fluids, or when printing on certain plastics. Even though modern machines like those supplied by Dimix use low-odour UV inks, a well-ventilated room (or a local air extraction system) keeps your workspace safe and comfortable. Want to know which accessories are essential from day one? We’ll get into that shortly—but in the meantime, our Solvent Printers category page can give you some context on how these setups compare to more traditional print environments.
Once your physical space is sorted, the next big step is optimising your workflow. Unlike typical signage jobs—where designs are printed, laminated, and cut—direct-to-object jobs involve unique substrates, variable shapes, and often one-off or short-run quantities. That changes how you organise your day, and how your team works together. You'll need clear zones for pre-print prep (like cleaning or priming objects), a staging area for loading jigs or trays, and a finishing space where printed items can cool, cure further if needed, and be packed.
This doesn’t have to be complicated. A well-labeled shelving system for blank items, print-ready jigs, and completed jobs can streamline operations more than any software. Many successful signmakers in the Netherlands, for instance, use simple colour-coded bins to separate batches. But the biggest productivity gains often come from standardising repeat jobs. Create job cards with object dimensions, print settings, curing times, and jig placement photos. These become a reference for future batches and help even new staff execute like pros. If you're considering mixing direct-to-object printing with your existing solvent or flatbed workflow, our post on profitable print applications shows how these technologies can complement each other without slowing down your core business.
Here’s where things often get overlooked. When budgeting for your printer, don’t forget to include the accessories that actually make it usable for real-world jobs. First up: jigs. Whether you buy them pre-made or create them yourself (with foam, laser cutting or even 3D printing), jigs are essential for holding objects in place—especially if you’re doing multiples. Dimix offers modular jig solutions and templates for popular items like pens, phone cases, and drinkware, which can drastically reduce setup time and improve consistency.
Other essentials include:
You’ll also want software that supports variable data or object alignment—especially useful if you’re personalising dozens of items at once. Need help sourcing or choosing the right setup? That’s where Dimix really stands out. We don’t just sell printers—we offer a full ecosystem of tools and expert advice to help your setup run like a well-oiled machine. For those still considering their first purchase, check our post on which printer fits your business for a model-by-model breakdown based on shop size and production goals.
Even the best direct-to-object printer can’t run itself. That’s why training your team is just as important as setting up your workspace. The good news? If your staff already knows how to operate solvent or flatbed printers, the learning curve isn’t steep—but there are some unique considerations. For one, object prep and positioning are more hands-on. Operators need to understand substrate differences, primer usage, jig loading, and print height calibration. This is especially true when printing on curved or non-standard items, where small alignment errors can lead to misprints or rejects.
At Dimix, we provide on-site and remote training to get your team operational fast. This includes not just how to run the printer, but how to troubleshoot minor issues, maintain the equipment, and streamline daily routines. In Belgium and the Netherlands, many signmakers we work with assign one “print lead” responsible for setting up the jobs, while junior staff handles finishing or packing. This keeps quality high without overloading your best technician. If you’re preparing your team for a shift in workload or business model, we recommend also reading our blog on unlocking new revenue streams with direct-to-object printing—it can help frame the bigger picture of where this investment takes you.
So, what changes once your printer is up and running? The answer depends on what you’re producing, but most signmakers quickly discover that direct-to-object printing fits neatly into their daily operations—with a few adjustments. You might start the day with a batch of pre-prepped items, load them onto a jig, and kick off the first print job while working on other projects. Thanks to the instant UV curing, most prints come off the machine ready to pack or ship—no waiting for drying or lamination. This means quicker turnaround and a smoother schedule.
Afternoons are often perfect for running smaller custom jobs or doing sample work for prospects. Many print shops use downtime between signage orders to fulfil high-margin personalised items like branded coasters or limited-run promotional gifts. With repeat clients, saved presets and reusable jigs mean your setup time drops drastically. And because the machine requires minimal supervision once running, it can often work in parallel with your solvent or eco-solvent equipment. Want to explore how to combine both technologies effectively? Visit our Solvent Printers category page to see how hybrid shops across the region are expanding without sacrificing efficiency.
Let’s be honest—no new setup is ever perfect from day one. But most of the issues we see in early-stage direct-to-object rollouts are completely avoidable. The biggest one? Underestimating time per job. Remember: printing is only part of the process. You also need to factor in prepping, jig setup, handling, and finishing. If you’re quoting jobs without testing first, you might find your margins squeezed or deadlines too tight. Do a dry run with your team before committing to live orders. Track real-world timing and use that data for accurate pricing.
Another common mistake is improper object prep—fingerprints, dust, or lack of primer can all cause print defects or adhesion failure. Build checklists into your daily routine: clean objects, check printer height, run a nozzle test, inspect jigs. These steps take minutes and save hours of reprints. Finally, avoid overpromising to clients. Start with a few applications you can control well—then scale as your team gains confidence. If you’re looking for a realistic, low-risk way to introduce curved object printing, we cover that in detail in our blog on how to print on 3D surfaces without compromising quality.
Getting started with direct-to-object printing doesn’t have to be overwhelming. With the right setup, smart planning, and a trusted supplier, you’ll be producing professional-quality printed objects faster than you think. Whether you’re launching with a compact Roland BD-12 or scaling up with a CO-series flatbed, the foundation you build today sets the tone for long-term growth. And that’s exactly where Dimix steps in—not just as your hardware provider, but as a strategic partner.
We’ll help you map out your workspace, select the right accessories, train your team, and troubleshoot as you grow. Our experience working with signmakers across Belgium and the Netherlands means we understand the realities of your business—tight deadlines, creative demands, and the constant need to stay ahead of the competition. Ready to start? Head to our direct-to-object printer category page to view models, specs, and support options tailored to your shop. Or revisit our printer comparison guide if you're still weighing your options. With Dimix, you’re not just buying a printer—you’re investing in a smoother, smarter, and more profitable future.